Tad Spurgeon the book            Its undoubtedly the most erudite and intelligently organized book about art material and techniques that Ive ever read and I have been a an obsessive researcher reader when it comes to painting materials and techniques for the last couple of decades. So many books on painting techniques and materials are full of waffle and pretty pictures that ultimately dont add up to anything much. Others are so garbled its obvious the writer hasnt fully grasped the technical aspects theyre writing about. So Living Craft is absolutely a breath of fresh air comprehensive, succinct and impeccably researched. Its also beautifully and thoughtfully written, and I love that you touch on the philosophical aspects of visual art as well. Jenny Kyng, Tasmania. Website.       An in depth study of materials in a very detailed and original handling of subjects not normally covered. An absolute must for the academic artist. So refreshing to have a book of this caliber written in modern times. Sections upon mediums second to noneMichael Harding, England Website. THE BEST BOOK YET WRITTEN ON THE CRAFT OF OIL PAINTING. The hardiest of congratulations to you Your book is both a gift and a treasure Ran Ortner, Amway Prize Winner, Manhattan. Website.       My painting is on a totally new level. I have internalized much of your teachings the improvement is amazing. Alla Prima II Expanded Edition Everything I know About Painting, and More By Richard Schmid. A glossary of art terms related to the painting of Johannes Vermeer and Dutch painting of the Golden Age. I cannot follow the reasons for the improvement why the paint looks better I know it is a result of everything I am doing new but the results defy clear cause and effect analysis. But all in all I am in a completely new league now. Besides all of the wise and valuable information that your book brings, it has the benefit of reminding me, or refocusing me, on all the things that I should be thinking about or being mindful of when Im painting. Even by leafing through it before a painting session it puts me in contact with the multiple elements that go into a successful session. I think this is a very high level for a book. Not only does it teach you what you need but keeps you artistically in shape. David Louis, Israel. Website.       I am ever grateful for your sharing of knowledge, and continue to enjoy painting much more than I ever did with commercial paints and mediums. David Heskin, Colorado. Website.       Doing this has changed me as well as my process. Don Harger, NYCWebsite. I continue to get so much value and enhanced understanding from your book. Ive taken a few steps back to try to start at a beginning with palette choices, and have found the Modern Grounded choice used in conjunction with the Pre dimensional palette system to be a great starting point and am really beginning to understand color mapping, shadows, mid tones, and highlights, Im just seeing my paintings have much more depth and dimensionalism, and the range of colors being created from the starting point of 4 paints is really amazing and satisfying for simplicity reasons not too many paints clamoring for attention. Dan Stanko, New Jersey      Lately I have been exploring oil in water emulsions, casein and methyl cellulose for the underpainting. It has forced me to make my own paints, something I never imagined doing. I always thought it would be way too much bother, but to my surprise, I have been enjoying the process and the results immensely. Now I plan to start mulling my own oils. Brad Pasutti, Victoria. Alla Prima Painting Book' title='Alla Prima Painting Book' />Light Traduzione del vocabolo e dei suoi composti, e discussioni del forum. Flight of the Mind A Painters Journey through Paralysis depicts the life and work of Marcus C. Thomas, an accomplished artist who discovered the joy of painting. The book THE BEST BOOK YET WRITTEN ON THE CRAFT OF OIL PAINTING. The hardiest of congratulations to you Your book is both a gift and a treasure. Sul libro e il sapere. Le opere in punta di matita di Omar Galliani per lAula Magna. Universit degli Studi di Roma Tre read more. Website.       From soup to nuts and then some. I read a little of your book everyday and each time I reread a passage something new will pop out and my working knowledge of the craft continues to grow. Thanks for writing such a great book. Its the most useful book I have ever acquired Tim Andreyka, Arizona      The best written and most in depth manual I have read. On re reading I find things I thought I got the first time. Barbara Harrison, Florida. Website.       Its the best book Ive ever read about painting on many levels, nothing comes near it. Its a breakthrough, a massive one. Particularly I have enjoyed it for the position you take in relation to known texts and modern scientific research. Ive been aware of the various bits of information being published by the Tate and the National Gallery amongst others. But without a head for science there was always going to be a big gap between knowing and applying. When a painter begins to make their own paint the boundary between their mind and the technique dissolves and your book conveys this world wonderfully. Christian Hidaka Ward, France. Gallery.        Living Craft is an amazing compendium I will continue to refer to as I paint. The information contained within it I have not found anywhere else. This comprehensive volume should not miss in any serious artists library. Ensayo Conflicto Armado Colombia Pdf here. What else can I say but thank, thank you, thank you. Max Scotto, Scotland. Website.       Really great work and a gift to painters everywhere. This is the kind of modern manual of oil painting that has been sorely lacking in our times. Initially I thought Id just use it as a reference book, but Ive found myself reading it front to back. Jason Mc. Phillips, Colorado. Website.       I received the book on Wednesday and just want to let you know how much I am enjoying it. It seems as if I cannot put it down. I am very interested in working up my own oils and also in the chalkoil putty mediums. I like the book because you have presented a historical basis and practical approach for painting with oils that is in reach of any artist willing to put in the time and attention to those aspects of the craft that have been relegated to second party commercial interests for so many years. Manny Cosentino, Los Angeles. Website. Also The Judson Studios in LA, amazing stained glass work. Thought Id send a note about how much I loved your book. I bought it specifically for the linseed oil formulas, but found the whole thing thought provoking and inspirational. Joe Besch, Oregon. Website.       Ive been using the salt refined linseed oil from Living Craft for almost a year now, and it is clearly the best medium Ive ever added to paint. Not only does it apply evenly while creating a beautiful consistency, it also dries quickly allowing me the opportunity to progress faster. The oil beautifully blends details to achieve otherwise hard to create old world effects. Ive never used anything like it before and refer to it as my secret weapon Laura Spector, Texas. Website.        I would just like to commend you on your book, it is singlehandedly the most valuable book I have ever purchased. Clear, concise, practical and philosophical. Adrian Grist, Australia      I really like the frame in which you organize your thoughts, and the way one section relates to another, using the craft as a guiding thread which unifies concepts, technique and materials. Every time I read it I find something new. Ariel Gulluni, Buenos Aires. Website.       I just wanted you to know that I have been enjoying your book on a regular basis. It is heartening to read something that goes much deeper than the usual method books by collecting and responding to our inner struggles to make art and life more meaningful. There is so much information to absorb what a treasureI long for uninterrupted time to explore every nuance and at the same time, I am appreciative of all the exploring you have done to make it easier on the rest of us.